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A standard interview setup is deceptively fiddly to edit. A wide camera, a close-up camera, and a separate recorder for the good audio, because the in-camera sound never cuts it.
Before you can make a single creative decision, you have to line all three up. Match the clap or the waveform. Hope the cameras did not drift over a long take. Then decide, for every answer, whether you are on the wide or the close, and keep the clean recorder audio underneath the whole time. It is twenty minutes of housekeeping before the edit even starts, every single time.
Multicam sync across every camera and mic
Three cameras, a boom, and two lavs? Selects syncs all of them in one step and picks the cleanest audio source per speaker automatically.
Speaker-aware camera switching
Selects knows who's talking and switches to the right camera angle. Not random cuts. Cuts that follow the conversation.
Silence and filler word removal
Um," "uh," long pauses, and dead air. Gone. Automatically. Or keep them if your podcast style calls for a looser feel.
Handoff to
start the creative edit
Seamless with your NLE
Handoff to Adobe Premiere Pro, Final Cut, or DaVinci Resolve. Project files are structured to fit your workflow.
You're in control
Edits are non-destructive, and organized for clarity. Categorized bins, color-coded topics, markers and transcripts included.
Ready to share
Share transcript for paper cuts. Or export video if the Selects rough cut is ready to go.
What does Selects do?
How long does it take to process my footage?
Can I edit videos directly in Selects?
How is Selects different from other AI editing tools?
Can I use Selects for short-form content, not just long-form?
How do I continue editing on Adobe Premiere Pro?
How do I continue editing on Final Cut Pro?
How do I continue editing on DaVinci Resolve?
