Post-Production - Cutback - Your Video Editing Assistant in Premiere Pro

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Post-Production

Flat illustration of a clean video project folder structure with labeled folders for raw footage, B-roll, proxies, and exports, representing a video file management system for editors.

Video File Management for Editors: A Practical System

Flat illustration comparing A-roll interview footage and B-roll cutaway shots on a video editing timeline, representing the difference between A-roll and B-roll in video editing.

A-Roll, B-Roll, and C-Roll Explained for Editors

Flat illustration of two connected nodes representing Claude or Codex AI agents on the left and a Selects video timeline on the right, joined by an MCP connection line, with a clock showing overnight automation of client video editing.

Edit Client Videos While You Sleep: The Claude + Selects MCP Workflow

Flat illustration of a video timeline with A-roll interview clips on one track and B-roll footage inserts dropping in automatically above them from a folder, representing automated B-roll placement in interview editing.

How to Add B-roll to a Long-Form Interview Without Watching Everything Twice

Flat illustration of a search bar overlaid on a video timeline with transcript text and visual scene thumbnails appearing as results, representing searching video footage by word or scene in Selects.

The Fastest Way to Find Specific Clips in Long Video Footage

Flat illustration of two hands holding a Final Cut Pro magnetic timeline with color-coded camera angle switch segments and small camera icons, representing multicam editing in Final Cut Pro.

Multicam Editing in Final Cut Pro: Sync, Angle Editor, and the Faster Way

Flat illustration of a DaVinci Resolve multicam viewer with multiple camera angle thumbnails and an AI sparkle icon over the active speaker angle, representing AI Multicam SmartSwitch and multicam editing in DaVinci Resolve.

Multicam Editing in DaVinci Resolve: Manual Sync, SmartSwitch, and the Faster Way

Split illustration showing Claude returning a broken JSON cut list on the left versus a Selects multi-track timeline with frame-precise breath-snapped cuts on the right, representing the gap between LLM transcript editing and real AI footage editing in 2026.

Claude for Video Editing in 2026: What Works, What Breaks, and the Real Pipeline

Hyperframes vs Remotion vs Selects: Three AI Video Tools, One Real Pipeline

Illustration of a chat interface showing the Selects Engine AI-powered video editor alongside a multi-track editing timeline with color-coded clips and audio waveforms, representing Claude prompting Selects to build a stringout for the final sequence.

Can Claude Analyze Videos? (And How to Actually Edit Them in 2026) | Selects

Flat illustration of a Premiere Pro timeline showing playback lag indicators with a diagnostic checklist of fixes including VFR footage, codec selection, RAM, and proxy workflow

Premiere Pro Running Slow? Fix Timeline Lag Fast

Selects vs Eddie AI : Which AI Video Editing Tool Is Right for You?

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Flat illustration of a clean video project folder structure with labeled folders for raw footage, B-roll, proxies, and exports, representing a video file management system for editors.

Video File Management for Editors: A Practical System

Flat illustration comparing A-roll interview footage and B-roll cutaway shots on a video editing timeline, representing the difference between A-roll and B-roll in video editing.

A-Roll, B-Roll, and C-Roll Explained for Editors

Flat illustration of two connected nodes representing Claude or Codex AI agents on the left and a Selects video timeline on the right, joined by an MCP connection line, with a clock showing overnight automation of client video editing.

Edit Client Videos While You Sleep: The Claude + Selects MCP Workflow

Flat illustration of a video timeline with A-roll interview clips on one track and B-roll footage inserts dropping in automatically above them from a folder, representing automated B-roll placement in interview editing.

How to Add B-roll to a Long-Form Interview Without Watching Everything Twice

Flat illustration of a search bar overlaid on a video timeline with transcript text and visual scene thumbnails appearing as results, representing searching video footage by word or scene in Selects.

The Fastest Way to Find Specific Clips in Long Video Footage

Flat illustration of two hands holding a Final Cut Pro magnetic timeline with color-coded camera angle switch segments and small camera icons, representing multicam editing in Final Cut Pro.

Multicam Editing in Final Cut Pro: Sync, Angle Editor, and the Faster Way

Flat illustration of a DaVinci Resolve multicam viewer with multiple camera angle thumbnails and an AI sparkle icon over the active speaker angle, representing AI Multicam SmartSwitch and multicam editing in DaVinci Resolve.

Multicam Editing in DaVinci Resolve: Manual Sync, SmartSwitch, and the Faster Way

Split illustration showing Claude returning a broken JSON cut list on the left versus a Selects multi-track timeline with frame-precise breath-snapped cuts on the right, representing the gap between LLM transcript editing and real AI footage editing in 2026.

Claude for Video Editing in 2026: What Works, What Breaks, and the Real Pipeline

View more

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Premiere Assistant

Resources

Official Adobe Video Partner

Security and compliance - SOC 2 Type II compliant

Terms of Service

© 2026 Cutback Corporation.
All rights reserved.